Theirs is a buddy trip, where encounters with a vile mountain spirit (Kara Wai) and a trio of wicked witches (think Macbeth) will foster the bond of brotherhood between them, such that Zhao will come to teach Jack the basics of kung fu and Jack will impress upon Zhao how the latter's life could be a happier place if he simply learnt to have fun from time to time. Jack thus teams up with Zhao to journey across the undulating lands to Arun's lair, with some timely help here and there from a trickster wizard named Wu (Francis Ng) who may or may not have something to do with Jack's current predicament. And so begins a fantasy adventure that sees Jack jump into the portal when said Princess Sulin is kidnapped by fierce-looking Mongol and Viking-like warriors and taken back to ancient China, where the barbarian named 'Arun the Cruel, the Horrible, the Terrible, the Miserable' (or 'Arun the Cruel' in short, played by Dave Bautista) has arranged their forced marriage in order to become Emperor. Like we said, disbelief is pointless if you intend to buy into its premise. And while we're at it, you should accept that you are the hero they seek called 'The Black Knight' – because that is the name of your avatar in a similar video game – and not hesitate to journey back in time to fulfil your destiny. You should also accept the warrior's explanation that the young lady who shows up with him dressed like a princess (Ni Ni) is indeed one, and that she is on the run from some very terrible people. As its hero Jack Bronson (newcomer Uriah Shelton) does, you should simply accept with little question that the English-speaking Chinese warrior Zhao (Mark Chao) in steel armour and straw hat who suddenly appears next to his bedside one evening has indeed travelled through a time portal in a waist-height drum-shaped chest he had received as a gift from the antiques dealer he helps out at after school.
You should not, in the first instance, expect it to make much sense, for it gives scant regard to logic or coherence. Such faint praise however is also premised on little expectation at the start, which is a prerequisite for any manner of enjoyment. And yet, if you're willing to put aside the obvious similarities, you're likely to find this reiteration more entertaining than you're expecting it to be. And last but not least, like the latter, it lets its modern-day Caucasian male protagonist fall in love with a steely yet gentle female from that era, the inter-ethnic coupling not only to pander to the teenage demographic but also to ensure its appeal to audiences on both sides of the continent. Like the latter, its humour is based on self-aware anachronism and its action of the traditional 'wushu' variety. Like the latter, it sends an American teenager back to ancient China where he learns to summon the warrior inside of him and teams up with a noble companion to save a kingdom from the clutches of an evil warlord. It may wear its tag of being the first significant 'French-Chinese co-production' proudly on its sleeve, but 'The Warrior's Gate' is really no more than a rehash of another East-meets-West action comedy that you may remember from about a decade ago called 'The Forbidden Kingdom'.
0 kommentar(er)
